{"id":3940,"date":"2025-06-10T14:29:02","date_gmt":"2025-06-10T11:29:02","guid":{"rendered":"https:\/\/taxtalib.uz\/?p=3940"},"modified":"2025-06-30T13:19:01","modified_gmt":"2025-06-30T10:19:01","slug":"%d1%9ezbekcha-said-axmad","status":"publish","type":"post","link":"https:\/\/taxtalib.uz\/uz\/%d1%9ezbekcha-said-axmad\/","title":{"rendered":"Said Axmad 105 yoshda"},"content":{"rendered":"

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Said Ahmad hayoti va ijodi<\/h1>\n

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Atoqli o\u2018zbek yozuvchisi, dramaturgi Said Ahmadning biografiyasi, bosib o\u2018tgan hayot yo\u2018li va yaratgan asarlari haqida batafsil maqolamizda tanishing.<\/strong><\/div>\n<\/div>\n
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Said Ahmad\u00a0<\/strong>– Saidahmad Husanxo\u2018jayev, o\u2018zbek adabiyotining atoqli adiblaridan biridir. Bo\u2018lajak yozuvchining bolaligi Toshkentda Elbek, G\u2018afur G\u2018ulom Oybek kabi yozuvchi va shoirlar davrasida o\u2018tgan va bu uning yozuvchi bo\u2018lib shakllanishida muhim ahamiyatga ega.<\/div>\n
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Said Ahmad biografiyasi<\/h3>\n<\/div>\n
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Said Ahmad 1920-yil 10-iyunda Toshkent shahri \u201cSamarqand darvoza\u201d mahallasida o\u2018z davrining obro\u2018li insonlaridan bo\u2018lgan Husanxo\u2018ja Dadaxo\u2018jayev oilasida dunyoga kelgan.<\/p>\n

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Yosh Said Ahmad o\u2018zini turli sohalarda: rassomlik, artistlik, fotograflik, qurilish va hatto doktorlikda ham sinab ko\u2018radi. Biroq, adabiyotni tanlaydi. 1941 yilda Nizomiy nomidagi pedagogika institutini tamomlaydi va \u201cMushtum\u201d jurnalida ishlay boshlaydi. Keyinchalik \u201cQizil O\u2018zbekiston\u201d, \u201cSharq yulduzi\u201d kabi gazeta-jurnallarda turli lavozimlarda mehnat qiladi.<\/div>\n
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Said Ahmad hayotiga bag\u2018ishlangan «Sabru sadoqat» serialidan lavha<\/div>\n
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\u00a9\u00a0«O\u2018zbekkino»<\/a><\/div>\n
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O\u2018tgan asrning 50-yillarida Said Ahmad qatag\u2018on davrining ikkinchi to\u2018lqini vaqtida \u201caksilsho\u2018roviy millatchilar guruhi a\u2019zosi, zararli g\u2018oyalar targ\u2018ibotchisi\u201d sifatida ayblanib 25-yilga qamaladi. Said Ahmad Qozog\u2018istonning Qaraganda viloyati Jezqozg\u2018on lagerida 4-yil qamoqda o\u2018tiradi. Stalinning o\u2018limidan so\u2018ng, \u201caybi yumshatiladi\u201d va ozod qilinadi.<\/div>\n<\/div>\n
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Said Ahmad asarlari<\/h3>\n<\/div>\n
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1940 yilda birinchi mualliflik hikoyalar to\u2018plami \u201cTortiq\u201d nomi bilan nashr etiladi. Uning\u00a0\u201cCho\u2018l burguti\u201d, \u201cLochin\u201d, \u201cBo\u2018ston\u201d, \u201cTo\u2018yboshi\u201d, \u201cOdam bo\u2018ri\u201d\u00a0<\/strong>kabi hikoyalari o\u2018zbek adabiyotida yangilik ruhini olib kirgan. Adib xajvchi yozuvchi sifatida bir qator hikoyalar yozdi va shu bilan o\u2018zbek radio va televideniyesida miniatura teatriga asos soldi.\u00a0\u201cXandon pista\u201d, \u201cBir o\u2018pichning bahosi\u201d, \u201cXanka va Tanka\u201d\u00a0<\/strong>hikoyalari shular jumlasidandir.<\/div>\n<\/div>\n
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Adibning \u201cAzroil o\u2018tgan yo\u2018llarda\u201d, \u201cBorsa kelmas darvozasi\u201d, \u201cAzob\u201d\u00a0<\/strong>kabi hikoyalari qamoqxonada o\u2018tgan yillar asosida yaratilgan.<\/div>\n<\/div>\n
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Yozuvchining\u00a0\u201cYo\u2018qotganlarim va topganlarim\u201d\u00a0<\/strong>xotiralari o\u2018zbek adabiyoti uchun qimmatli asar hisoblanadi. Kitobda bir qator yozuvchi va shoirlarning shaxsi va ijodiga chizgilar bitilgan. Jumladan, yozuvchi asarda G\u2018afur G\u2018ulom, Oybek, Abdulla Qahhor, Maqsud Shayxzoda, Turob To\u2018la Saida Zunnunova haqida xotiralari bilan bo\u2018lishsa, Asqad Muxtor, Odil Yoqubov, Xudoyberdi To\u2018xtaboyev, Anvar Obidjon, O\u2018tkir Hoshimov, Ne\u2019mat Aminov singari o\u2018zbek adabiyoti yorqin adiblarining hayoti va ijodidan qiziqarli ma\u2019lumotlarni so\u2018zlab beradi.<\/div>\n<\/div>\n
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Said Ahmadning ko\u2018pgina asarlari qardosh va xorijiy tillarga tarjima qilingan.<\/div>\n
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Said Ahmad asarlari<\/div>\n
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\u00a9\u00a0Kitoblardunyosi<\/a><\/div>\n
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Said Ahmad «Ufq» romani<\/h3>\n<\/div>\n
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Romannavis sifatida ham yozuvchi ko\u2018plab asarlar yaratgan. 1964-1974 yillarda\u00a0\u201cUfq\u201d trilogiyasini\u00a0<\/strong>yozib tugatadi va o\u2018zbek adabiyotida trilogiya janriga asos soladi. Yozuvchining ustozi Abdulla Qahhor asarni yuksak baholab, hatto yirik adabiy gazetada bu haqida maqola chop etadi. Asar uchta –\u00a0«Qirq besh kun», «Hijron kunlarida», «Ufq bo\u2018sag\u2018asida»\u00a0<\/strong>romanlaridan iborat bo\u2018lib, o\u2018tgan asrning eng yirik voqeligi- Ikkinchi jahon urushi va undan keyingi yillardan hikoya qiladi. Ushbu romanlarda adib mahorat bilan o\u2018zbek xalqiga xos oliyjanoblik, mehnatkashlik, to\u2018g\u2018riso\u2018zlikni yorqin bo\u2018yoqlarda, sodda, samimiy qahramonlar hayotida ko\u2018rsatib bergan. \u201cUfq\u201d trilogiyasi tufayli Said Ahmad 1978-yili Hamza nomidagi Davlat mukofotiga sazovor bo\u2018ladi.<\/div>\n
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Said Ahmad asarlari<\/div>\n
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\u00a9\u00a0Kitoblardunyosi<\/a><\/div>\n
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Said Ahmad «Jimjitlik» romani<\/h3>\n<\/div>\n
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1988 yilda yozilgan\u00a0\u201cJimjitlik\u201d<\/strong>\u00a0romanida esa sho\u2018ro davrining turg\u2018unlik yillari ichki dramalari, tuzum inqirozi butun keskinligi, shiddati bilan ko\u2018rsatilgan. Roman yovuzlik va ezgulikning abadiy kurashini aks ettiradi. Unda har bir qahramonning hayoti fojealarga boy va bir-biri bilan uzviy bog\u2018liq. Va bu fojealar sababchisi ham ularning o\u2018zlari emas, balki o\u2018sha davr tuzumi ekanligi adib tomonidan mahorat bilan ifoda etilgan.<\/div>\n<\/div>\n
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Said Ahmad asarlari<\/div>\n
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\u00a9\u00a0Kitoblardunyosi<\/a><\/div>\n
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Said Ahmad – dramaturg<\/h3>\n<\/div>\n
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Said Ahmad dramaturg sifatida ham sevimli ijodkor. Ayniqsa, uning\u00a0\u201cKelinlar qo\u2018zg\u2018oloni\u201d\u00a0<\/strong>komediyasi juda mashhur. Aynan shu komediya tufayli, adib turli mamlakatlarda bo\u2018ldi, dunyo kezdi. Komediya unga katta mashhurlik olib keldi. Komediya spektakli hamon O\u2018zbekiston va unga qardosh xalqlarning teatrlarida namoyish qilib kelinmoqda.<\/div>\n<\/div>\n
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\u201cKelinlar qo\u2018zg\u2018oloni\u201d 30dan ortiq teatr sahnalarini ko\u2018rgan spektakl.<\/div>\n
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«Kelinlar qo\u2018zg\u2018oloni» filmining rus tilidagi tarjimasi (Bunt nevestok) posteri, 1984-yil<\/div>\n
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\u00a9\u00a0Kino-teatr.ru<\/a><\/div>\n
1984 yilda taniqli o\u2018zbek rejissori Melis Abzalov asar asosida kinokomediya suratga oladi. Film sovet davrida olingan eng yaxshi kinokomediyalaridan biri bo\u2018lib qolgan. Adib qalamiga mansub\u00a0\u201cKuyov\u201d\u00a0<\/strong>spektakli ham o\u2018zbek teatrining oltin fondidan joy olgan.<\/div>\n
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Said Ahmad va Saida Zunnunova<\/h3>\n<\/div>\n
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Atoqli shoira Saida Zunnunova Said Ahmadning rafiqasi bo\u2018lib, ular birgalikda qisqa bo\u2018lsada, ammo sermazmun, baxtli hayot kechirishadi. Buni adibning xotiralarida, shoiraning esa she\u2019rlarida payqash qiyin emas. Adibning rafiqasi haqida yozgan \u201cShoiraning feruza olami\u201d xotiralari\u00a0\u201cYo\u2018qotganlarim va topganlarim\u201d\u00a0<\/strong>kitobida bor.<\/div>\n<\/div>\n
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1995 yilda Said Ahmad \u201cDo\u2018stlik\u201d, 1990-yilda \u201cBuyuk xizmatlari uchun\u201d ordeni bilan mukofotlanadi. \u201cO\u2018zbekiston Xalq yozuvchisi\u201d, \u201cO\u2018zbekiston Qahramoni\u201d unvonlariga sazovor bo\u2018ladi.<\/div>\n<\/div>\n
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Said Ahmad 2007-yil 5-dekabrda vafot etadi. Yozuvchi Chig\u2018atoy qabristoniga dafn etilgan.<\/div>\n<\/div>\n
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2013 yil 10-iyun kuni Toshkent shahridagi O\u2018zbekiston Milliy bog\u2018ida Said Ahmad hamda Saida Zunnunovalarga haykallar o\u2018rnatilgan.<\/div>\n
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Saida Zunnunova i Said Axmad<\/div>\n
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\u00a0\u00a9 Sputnik \/ Ramiz Baxtiyarov maqolasidan ko’chirildi.<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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 <\/p>","protected":false},"excerpt":{"rendered":"

Said Ahmad hayoti va ijodi Atoqli o\u2018zbek yozuvchisi, dramaturgi Said Ahmadning biografiyasi, bosib o\u2018tgan hayot yo\u2018li va yaratgan asarlari haqida…<\/p>\n","protected":false},"author":1,"featured_media":3941,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-3940","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books"],"_links":{"self":[{"href":"https:\/\/taxtalib.uz\/uz\/wp-json\/wp\/v2\/posts\/3940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/taxtalib.uz\/uz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/taxtalib.uz\/uz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/taxtalib.uz\/uz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/taxtalib.uz\/uz\/wp-json\/wp\/v2\/comments?post=3940"}],"version-history":[{"count":8,"href":"https:\/\/taxtalib.uz\/uz\/wp-json\/wp\/v2\/posts\/3940\/revisions"}],"predecessor-version":[{"id":3953,"href":"https:\/\/taxtalib.uz\/uz\/wp-json\/wp\/v2\/posts\/3940\/revisions\/3953"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/taxtalib.uz\/uz\/wp-json\/wp\/v2\/media\/3941"}],"wp:attachment":[{"href":"https:\/\/taxtalib.uz\/uz\/wp-json\/wp\/v2\/media?parent=3940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/taxtalib.uz\/uz\/wp-json\/wp\/v2\/categories?post=3940"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/taxtalib.uz\/uz\/wp-json\/wp\/v2\/tags?post=3940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}